The Superstars of Raw, SmackDown, and ECW all battle to be the ultimate survivors! For the 23rd consecutive year, the Superstars of WWE come together for Survivor Series. Its unique 5-on-5 elimination matches have always been favorites among WWE fans and this year will see some unique teams built and destroyed. Many of the biggest superstars in WWE look to leave an indelible mark on the sports entertainment landscape.

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Kevin Costner’s lousy English accent is a small obstacle in this often exciting version of the Robin Hood fable. That aside, it’s refreshing to have a preface to the old story in which we meet the robber hero of Sherwood Forest as a soldier in King Richard’s Crusades, coming home to find his people under siege from the cruelties of the Sheriff of Nottingham (Alan Rickman). After Robin and his community of outcasts and fighters take to the trees, director Kevin Reynolds (Fandango, 187) is on more familiar narrative ground, and he goes for the gusto with lots of original action (Robin shoots two arrows simultaneously from his bow in two directions). Mary Elizabeth Mastrantonio, as Marion, makes a convincing damsel in distress, and Morgan Freeman brings dignity to his role as Robin’s Moor friend. Alan Rickman, however, gets the most attention for his scene-chewing role as the rotten sheriff, an almost campy performance that is highly entertaining but perhaps a l (more…)

Rocker turned writer-director Rob Zombie returns to the horror field with this visually ambitious and aggressively brutal follow-up to his 2007 reinvention of John Carpenter’s seminal slasher Halloween. The 1981 sequel to the Carpenter film is completely ignored here (and for good reason) in favor of an extension of the central focus of Zombie’s Halloween, and all of his films, for that matter: the corruption at the heart of the nuclear family. Here, Laurie Strode (Scout Taylor Compton) is attempting to heal the psychic wounds from her previous encounter with brother Michael Myers (Tyler Mane) by bonding with Sheriff Brackett (Brad Dourif, a pleasure to watch as always) and his daughter Anne (Danielle Harris, herself a vet from the original run of Halloween sequels). Her previous surrogate father, Dr. Loomis (Malcolm McDowell) has forsaken his connection to Laurie by exploiting his connection to Michael with a tell-all book; meanwhile, Michael himself roa (more…)

The Latest Tips and Techniques for Getting the Maximum from Blu-ray Technology Blu-ray Disc Demystified provides the most current information and applications available for this popular high-definition optical disc format. Written by a team of experts with a wide range of experience in DVD and high-definition production, this thorough, skill-building guide details Blu-ray’s many features, formats, and applications. Blu-ray Disc Demystified provides exhaustive coverage of the multitude of production and authoring processes, while explaining how the standard and high-definition DVD specifications dovetail and/or clash with related digital media standards. The authors also provide detailed descriptions of Blu-ray’s strengths, as well as frank assessments of its weaknesses and common traps that often ensnare new users. Blu-ray Disc Demystified is the most comprehensive and practical guide available for navigating the numerous challenges, changes, and opportun (more…)

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Audio: English: 5.1 DTS HD Master Audio / Spanish: 5.0 Dolby Digital / French: 5.1 Dolby Digital Language: Dubbed: English, French & Spanish / Subtitled: English & Spanish Theatrical Aspect Ratio: Widescreen: 1.78:1 Disc 1: 218 MinutesSex, Pies and Idiot Scrapes Lost Verizon Double, Double, Boy in Trouble Treehouse of Horror XIX Dangerous Curves Homer and Lisa Exchange Cross Words Mypods and Boomsticks The Burns and the Bees Lisa the Drama Queen Featurette – “The 20th Anniversary Special Sneak Peek by Morgan Spurlock” Disc 2: 264 MinutesTake my Life, Please How the Test Was Won No Loan Again, Naturally Gone Maggie Gone In the Name of the Grandfather Wedding for Disaster Eeny Teeny Maya Moe The Good, the Sad and the Drugly Father Knows Worst Waverly Hills 9-0-2-1-D’oh Four Great Women and a Manicure Coming to Homerica

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Science fiction can encompass many genres–suspense, horror, action-adventure, romance, even comedy–but director Duncan Jones’s Moon doesn’t fit neatly into any of them. This smart, provocative film has no aliens or cool spaceships, and the effects (mostly consisting of model vehicles lumbering across the lunar surface) aren’t all that special; instead, the material is character- and story-driven, centering on an excellent, multilayered performance by Sam Rockwell. The scene is some undetermined point in the future. Rockwell plays Sam Bell, an employee of Lunar Industries, the company responsible for mining a fusion energy source called Helium-3, which is vital to Earth’s efforts to reverse a serious energy crisis and can only be found on the far side of the Moon. Sam is all by himself, and as he nears the end of his three-year contract, the solitude is starting to get to him (“Three years is a long haul,” he says. “Way, way, way too long. I’m talking to mys (more…)

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No director could ever have hoped to repeat the artistic achievement of Stanley Kubrick’s 2001: A Space Odyssey, and nobody knew that better than Peter Hyams, who made this much more conventional film from the first of three sequel novels by Arthur C. Clarke. Whereas Kubrick made a poetic film of mind-expanding ideas and metaphysical mysteries, Hyams shouldn’t be blamed for taking a more practical, crowd-pleasing approach. In revealing much of what Kubrick deliberately left unexplained, 2010 lacks the enigmatic awe of its predecessor, but it’s still a riveting tale of space exploration and extraterrestrial contact, beginning when a joint American-Soviet mission embarks to determine the cause of failure of the derelict spaceship Discovery. Having arrived at Discovery near the planet Jupiter, the American mission leader (Roy Scheider) and his Russian counterpart (Helen Mirren) must investigate the apparent failure of the ship’s infamous onboard computer, HAL 9 (more…)

The making of honest action movies has become so rare that Kathryn Bigelow’s magnificent The Hurt Locker was shown mostly in art cinemas rather than multiplexes. That’s fine; the picture is a work of art. But it also delivers more kinetic excitement, more breath-bating suspense, more putting-you-right-there in the danger zone than all the brain-dead, visually incoherent wrecking derbies hogging mall screens. Partly it’s a matter of subject. The movie focuses on an Explosive Ordnance Disposal team, the guys whose more or less daily job is to disarm the homemade bombs that have accounted for most U.S. casualties in Iraq. But even more, the film’s extraordinary tension derives from the precision and intelligence of Bigelow’s direction. She gets every sweaty detail and tactical nuance in the close-up confrontation of man and bomb, while keeping us alert to the volatile wraparound reality of an ineluctably foreign environment–hot streets and blank-walled building (more…)

Tenacious D, “The Complete Masterworks” features a concert shot live at Seattle’s Moore Theater as well as a full length documentary. Follow the band after the release of their first feature film, Tenacious D “The Pick Of Destiny” and see how they handle the less-than-stellar success of that film and tons of behind the scenes footage…all totally uncensored. Blu-ray Disc Tracklisting 1.Kielbasa 2.History 3.Wonderboy 4.Dio 5.Lee 6.Saxaboom 7.The Road 8.Hell Movie Skit 9.Kickapoo 10.Karate 11.Dude (I Totally Miss You) 12.Kyle Quit The Band 13.Friendship 14.The Metal 15.Papagenu (He’s My Sassafrass) 16.Master Exploder 17.Beelzeboss (The Final Showdown) 18.Double Team 19.F*** Her Gently 20.Tribute 21.Who Medley Disc 2 D TOUR: A TENACIOUS DOCUMENTARY Running Time: 1:08Extras: “Time Fixers” VIDEO “Classico” VIDEO LATE NIGHT WITH CONAN O’BRIEN Performance “Master Exploder” MTV MOVIE AWARDS 2006 Performance “Saturday Night Live” Performance “The Metal” Video/Audio 720p24 (more…)

Full Tilt top. Cotton tank with knotted spaghetti straps at high back. Contrast mesh top with allover flower pattern. Cap sleeve. Scoop neck. 100% cotton. Machine wash. Made in USA.

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Andy heads off to cowboy camp leaving his toys to their own devices. Things shift into high gear when an obsessive toy collector named Al McWhiggin (owner of Al’s Toy Barn) kidnaps Woody. At Al’s apartment, Woody discovers that he is a highly valued collectible from a 1950s TV show called Woody’s Roundup, and he meets the other prized toys from that show, Jessie the Cowgirl, Bullseye the Horse, and Stinky Pete the Prospector. Back at the scene of the crime, Buzz Lightyear and the other toys from Andy’s room, Mr. Potato Head, Slinky Dog, Rex and Hamm spring into action to rescue their pal from winding up as a museum piece. The toys get into one predicament after another in their daring race to get Woody before Andy returns.Bonus Features include: BE Live, Director commentary, Toy Story 3 Sneak Peek: The Characters, Buzz Lightyear Mission Logs: International Space Station, Paths to Pixar: Technical Artists, Studio Stories: Toy Story 2 Sleep Deprivation Lab, Pinocchio, Th (more…)

There’s a girl in a blue dress, a Queen of Hearts, and a a magical looking glass that whisks the heroine into a surreal Wonderland.

But beyond that, don’t expect this SyFy miniseries to have much in common with Lewis Carroll’s classic novel, “Alice in Wonderland.” Instead, “Alice” is a whole different animal — a deliciously gritty sci-fi adventure filled with action, romance, monsters psychedelic horrors, and a revolution against a drug-peddling queen. It’s a little silly, but still immensely entertaining.

Alice’s (Caterina Scorsone) dinner date with her boyfriend Jack (Philip Winchester) falls apart when he offers her an heirloom ring. When she chases after him, she sees him being dragged off by some suit-wearing thugs — and promptly trips THROUGH a looking glass. Of course she ends up in Wonderland, a world of grimy urban ruins and art deco casinos. And it’s ruled by the Queen of Hearts (Kathy Bates), a ruthless tyrant who keeps her populace drugged with emotions from kidnapped “oysters” (ordinary humans).

Alice ends up following the eccentric Hatter (Andrew-Lee Potts), who offers to take her to the Resistance — but when they get there, they discover that Jack’s ring is actually the Stone of Wonderland (which powers the transdimensional Looking Glass). Since everybody in Wonderland wants the Stone, Hatter and Alice end up on the run from both the Resistance and the Queen’s assassin Mad March. Alice is still determined to rescue Jack and return home, but she soon finds that her boyfriend isn’t quite what she thought — and that one of her loved ones is the Queen’s brainwashed slave.

The whole idea behind “Alice” is that Carroll’s story was real, and that Wonderland has become a very different place in the last 150 years — crumbling smoky cities, insectile airships, bunny-headed cyborg assassins, and a pair of sadistic interrogators called Dr. Dum and Dr. Dee. It’s a far darker, more complex affair than Carroll’s books, and that’s what makes it so brilliant.

There’s plenty of sci-fi action and chaotic battle scenes, including aerial chases, bombing runs and the occasional attack from the grotesque Jabberwock; and the writers keep the complex plot flowing along nicely. But they also keep the story grounded with a love triangle between Alice, Jack and Hatter, as well as Alice’s quest to free the oysters and a long-lost family member. And there’s just enough humor to keep it from being excessively grim (“We don’t have to use a user manual, do we? I HATE user manuals”).

Problems? A few of the homages (the grinning cat, the “drink me” bottle) are pretty superfluous, and the siege of skeletal soldiers is kind of silly (especially the “Hit them with everything we’ve got”).

Scorsone makes an excellent modern Alice — intelligent, capable and capable of butt-kicking her way out, but still vulnerable and young (“You don’t remember me!”). Potts makes a deliciously quirky, sexily disheveled Hatter, and Frewer rounds out the main trio as a mildly insane White Knight. Winchester and Colm Meaney are also excellent, Tim Curry is brilliant but underused, and Kathy Bates absolutely rules as the casually cruel, petulant Queen. And yes, she does say “off with his head!”

I don’t know what beloved children’s story will get reworked next, but “Alice” does a great job with Lewis Carroll’s classic novel — lots of action, a touch of romance, and just enough surreality.
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